160 bars at 185 BPM -- fast, and 3:21 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-16, 21-24 and 65-68, and 3 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 35 times: bars 12, 19, 20, 33, 37, 41 and 29 more.
20 more fills are written out on the fills page.
160 bars across 25 sections: 79 keep time, 37 are fills, 8 are stops and 10 are silent. The longest unbroken stretch of time is bars 149-154.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
160 bars, about 3:21 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 35 times: bars 12, 19, 20, 33, 37, 41 and 29 more.