171 bars at 180 BPM -- fast, and 3:48 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 26-32 and 66, and 3 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 10 times: bars 9, 17, 25, 33, 61, 69 and 4 more.
5 more fills are written out on the fills page.
172 bars across 20 sections: 104 keep time, 10 are fills, 28 are stops and 15 are silent. The longest unbroken stretch of time is bars 111-126.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
171 bars, about 3:48 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 10 times: bars 9, 17, 25, 33, 61, 69 and 4 more.