129 bars of 4/4 at 124 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 27-33, 35-37 and 39-41, and 6 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 26 times: bars 2, 6, 12, 14, 20, 22 and 20 more.
9 more fills are written out on the fills page.
129 bars across 8 sections: 85 keep time, 26 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 27-37.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
129 bars, about 3:52 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 2, 6, 12, 14, 20, 22 and 20 more.