267 bars, 16:26, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 103-105, 107-109 and 111-113, and 5 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 48 times: bars 6, 16, 20, 28, 36, 44 and 42 more.
27 more fills are written out on the fills page.
267 bars across 32 sections: 158 keep time, 48 are fills, 23 are stops and 5 are silent. The longest unbroken stretch of time is bars 170-183.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 40 out of 100; the rest of the number is everything around it.
267 bars, about 16:26 at the written tempo. The course breaks it into 102 exercises over 28 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 48 times: bars 6, 16, 20, 28, 36, 44 and 42 more.