111 bars of 4/4 at a walking 98 BPM, 4:32 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 43-55 -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 4, 8, 32, 56, 64, 70 and 6 more.
2 more fills are written out on the fills page.
111 bars across 14 sections: 73 keep time, 12 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 9-23.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
111 bars, about 4:32 at the written tempo. The course breaks it into 39 exercises over 15 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 4, 8, 32, 56, 64, 70 and 6 more.