104 bars of 4/4 at 123 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 29-31, 33-35 and 53-55, and 6 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 fills to learn, played 32 times: bars 2, 6, 7, 8, 24, 26 and 26 more.
13 more fills are written out on the fills page.
104 bars across 10 sections: 60 keep time and 32 are fills. The longest unbroken stretch of time is bars 70-79.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
104 bars, about 3:23 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 32 times: bars 2, 6, 7, 8, 24, 26 and 26 more.