125 bars of 3/4 -- not four -- at 158 BPM, 2:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-84 and 113-123 -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 15 times: bars 44, 48, 52, 59, 60, 88 and 9 more.
1 more fill is written out on the fills page.
125 bars across 11 sections: 85 keep time, 15 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 65-84.
158 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
125 bars, about 2:38 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 44, 48, 52, 59, 60, 88 and 9 more.