48 bars of 4/4 at 110 BPM, about 1:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 8 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 17 times: bars 4, 8, 9, 10, 11, 12 and 11 more.
1 more fill is written out on the fills page.
48 bars across 3 sections: 25 keep time, 17 are fills and 3 are stops. The longest unbroken stretch of time is bars 27-36.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
48 bars, about 1:45 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 17 times: bars 4, 8, 9, 10, 11, 12 and 11 more.