113 bars of 4/4 at 120 BPM, about 3:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-30, 61-65 and 97-101 -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 41 times: bars 12, 15, 16, 20, 22, 23 and 35 more.
13 more fills are written out on the fills page.
113 bars across 14 sections: 39 keep time, 41 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 45-49.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
113 bars, about 3:46 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 41 times: bars 12, 15, 16, 20, 22, 23 and 35 more.