125 bars of 4/4 at a walking 90 BPM, 5:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-34, 49-51 and 53-59 -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 21 times: bars 15, 16, 36, 60, 72, 81 and 15 more.
2 more fills are written out on the fills page.
125 bars across 9 sections: 78 keep time, 21 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 37-59.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
125 bars, about 5:33 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 15, 16, 36, 60, 72, 81 and 15 more.