325 bars of 6/4 -- not four -- at 132 BPM, 12:28 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-37, 96 and 98, and 4 more places -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 51 times: bars 18, 23, 24, 25, 26, 27 and 45 more.
29 more fills are written out on the fills page.
325 bars across 29 sections: 126 keep time, 51 are fills, 5 are stops and 112 are silent. The longest unbroken stretch of time is bars 237-248.
132 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
325 bars, about 12:28 at the written tempo. The course breaks it into 107 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 51 times: bars 18, 23, 24, 25, 26, 27 and 45 more.