The beat the song is built on is one bar, played through bars 53-54, 61-62 and 79-88, and 3 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, snare and kick, counted in thirty-second notes. On its own it scores 55 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 63 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
The room opens this beat on its simplest reduction, at 88 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 88, 104, 119 and 135 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, snare and kick, in 4/4 at 135 BPM, counted in thirty-second notes. It is written out above, and it covers 15.4% of the bars the kit plays.
Bars 53-54, 61-62, 79-88 and 120-121, and 2 more places. The time is kept on the silence to start with, and it changes 11 times over the song.
55 out of 100 on its own -- a step up. The song as a whole is 63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.