105 bars of 4/4 at 133 BPM, about 3:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 63, and 12 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 32 times: bars 4, 6, 8, 12, 16, 17 and 26 more.
15 more fills are written out on the fills page.
105 bars across 10 sections: 60 keep time, 32 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 39-46.
133 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
105 bars, about 3:09 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 32 times: bars 4, 6, 8, 12, 16, 17 and 26 more.