76 bars, 4:19, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 15-17 and 19-26, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 31, 59, 74 and 75.
76 bars across 7 sections: 59 keep time, 4 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 11-30.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
76 bars, about 4:19 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 31, 59, 74 and 75.