71 bars of 4/4 at a walking 82 BPM, 3:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-22, 38-40 and 58-62, and 1 more place -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 1, 9, 23, 25, 29, 41 and 2 more.
1 more fill is written out on the fills page.
71 bars across 9 sections: 49 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 64-71.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
71 bars, about 3:26 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 1, 9, 23, 25, 29, 41 and 2 more.