361 bars of 4/4 at a walking 100 BPM, 14:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 198-203, 294-296 and 298-300, and 5 more places -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 60 times: bars 16, 20, 24, 28, 32, 36 and 54 more.
27 more fills are written out on the fills page.
361 bars across 28 sections: 203 keep time, 60 are fills, 42 are stops and 23 are silent. The longest unbroken stretch of time is bars 205-228.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 37 out of 100; the rest of the number is everything around it.
361 bars, about 14:26 at the written tempo. The course breaks it into 117 exercises over 33 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 60 times: bars 16, 20, 24, 28, 32, 36 and 54 more.