251 bars, 16:30, at 54 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 16, 18 and 20, and 29 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 43 times: bars 12, 14, 15, 27, 31, 35 and 37 more.
26 more fills are written out on the fills page.
251 bars across 24 sections: 66 keep time, 43 are fills, 102 are stops and 17 are silent. The longest unbroken stretch of time is bars 189-197.
54 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
251 bars, about 16:30 at the written tempo. The course breaks it into 79 exercises over 22 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 43 times: bars 12, 14, 15, 27, 31, 35 and 37 more.