208 bars of 3/4 -- not four -- at 145 BPM, 4:35 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 10 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 33 times: bars 98, 99, 100, 101, 103, 104 and 27 more.
6 more fills are written out on the fills page.
208 bars across 14 sections: 113 keep time, 33 are fills, 18 are stops and 27 are silent. The longest unbroken stretch of time is bars 24-40.
145 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
208 bars, about 4:35 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 33 times: bars 98, 99, 100, 101, 103, 104 and 27 more.