163 bars of 4/4 at 150 BPM, about 4:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-24, 26-32 and 38-42, and 8 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 16 times: bars 37, 63, 81, 83, 84, 85 and 10 more.
5 more fills are written out on the fills page.
163 bars across 20 sections: 111 keep time, 16 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 19-32.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
163 bars, about 4:20 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 37, 63, 81, 83, 84, 85 and 10 more.