183 bars of 4/4 at 124 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-56, 82-88 and 99, and 10 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 24, 41, 65, 81, 89, 96 and 9 more.
6 more fills are written out on the fills page.
183 bars across 15 sections: 103 keep time, 15 are fills, 17 are stops and 33 are silent. The longest unbroken stretch of time is bars 26-40.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
183 bars, about 5:50 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 24, 41, 65, 81, 89, 96 and 9 more.