160 bars of 4/4 at 150 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-36, 38-44 and 99-105, and 1 more place -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 46 times: bars 5, 6, 10, 11, 12, 13 and 40 more.
15 more fills are written out on the fills page.
161 bars across 12 sections: 87 keep time, 46 are fills and 10 are stops. The longest unbroken stretch of time is bars 30-36.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
160 bars, about 4:15 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 46 times: bars 5, 6, 10, 11, 12, 13 and 40 more.