85 bars at 185 BPM -- fast, and 1:50 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 61, 63 and 65, and 3 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 4, 11, 12, 16, 19, 28 and 7 more.
5 more fills are written out on the fills page.
85 bars across 7 sections: 34 keep time, 14 are fills, 30 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-10.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
85 bars, about 1:50 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 4, 11, 12, 16, 19, 28 and 7 more.