125 bars of 4/4 at 152 BPM, about 3:17 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-20, 37-40 and 57-62, and 5 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 56, 80, 84, 88, 92 and 116.
125 bars across 14 sections: 94 keep time, 6 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 64-79.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
125 bars, about 3:17 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 56, 80, 84, 88, 92 and 116.