93 bars of 3/4 -- not four -- at 104 BPM, 2:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18, 42 and 62, and 9 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 35 times: bars 8, 9, 10, 11, 12, 13 and 29 more.
17 more fills are written out on the fills page.
93 bars across 7 sections: 49 keep time, 35 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-7.
104 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
93 bars, about 2:57 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 35 times: bars 8, 9, 10, 11, 12, 13 and 29 more.