89 bars of 4/4 at a walking 97 BPM, 3:40 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 41-45 and 47-48, and 4 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 29 times: bars 12, 15, 16, 24, 26, 28 and 23 more.
7 more fills are written out on the fills page.
89 bars across 12 sections: 39 keep time, 29 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 18-23.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
89 bars, about 3:40 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 12, 15, 16, 24, 26, 28 and 23 more.