146 bars of 4/4 at a walking 100 BPM, 5:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 66-72, and 2 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 42 times: bars 8, 9, 17, 21, 25, 37 and 36 more.
13 more fills are written out on the fills page.
146 bars across 16 sections: 77 keep time, 42 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 27-33.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
146 bars, about 5:50 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 42 times: bars 8, 9, 17, 21, 25, 37 and 36 more.