53 bars of 4/4 at 150 BPM, about 1:25 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-27, 29-31 and 42-43 -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 5, 7, 8, 32, 33 and 49.
53 bars across 12 sections: 28 keep time, 6 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 35-41.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
53 bars, about 1:25 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 5, 7, 8, 32, 33 and 49.