208 bars of 4/4 at a walking 100 BPM, 8:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 61, 63 and 65, and 11 more places -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 47 times: bars 10, 16, 17, 18, 19, 30 and 41 more.
7 more fills are written out on the fills page.
213 bars across 27 sections: 111 keep time, 47 are fills, 9 are stops and 22 are silent. The longest unbroken stretch of time is bars 138-150.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
208 bars, about 8:22 at the written tempo. The course breaks it into 65 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 47 times: bars 10, 16, 17, 18, 19, 30 and 41 more.