101 bars of 4/4 at a walking 105 BPM, 3:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-12, 14-28 and 30-35, and 1 more place -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 4, 36, 48, 58, 66, 70 and 3 more.
1 more fill is written out on the fills page.
101 bars across 6 sections: 80 keep time, 9 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 5-35.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
101 bars, about 3:51 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 4, 36, 48, 58, 66, 70 and 3 more.