168 bars of 4/4 at 134 BPM, about 5:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 96-98, 100-102 and 104-106, and 8 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 61 times: bars 17, 19, 24, 25, 32, 33 and 55 more.
24 more fills are written out on the fills page.
168 bars across 13 sections: 77 keep time, 61 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 26-31.
134 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 63 out of 100; the rest of the number is everything around it.
168 bars, about 5:01 at the written tempo. The course breaks it into 62 exercises over 22 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 61 times: bars 17, 19, 24, 25, 32, 33 and 55 more.