65 bars of 4/4 at a walking 90 BPM, 2:53 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 34-36, and 7 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 7 times: bars 21, 33, 53, 57, 59, 61 and 1 more.
2 more fills are written out on the fills page.
65 bars across 6 sections: 48 keep time, 7 are fills and 1 is silent. The longest unbroken stretch of time is bars 1-16.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
65 bars, about 2:53 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 21, 33, 53, 57, 59, 61 and 1 more.