72 bars of 4/4 at a walking 81 BPM, 3:33 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 14 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 9 times: bars 8, 56, 64, 65, 66, 67 and 3 more.
72 bars across 5 sections: 52 keep time, 9 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 11-39.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
72 bars, about 3:33 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 26 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 8, 56, 64, 65, 66, 67 and 3 more.