94 bars at 180 BPM -- fast, and 2:05 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54-60, 62-68 and 70-76, and 1 more place -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 13, 21, 37, 52, 53, 61 and 4 more.
3 more fills are written out on the fills page.
95 bars across 7 sections: 64 keep time, 10 are fills and 13 are stops. The longest unbroken stretch of time is bars 1-12.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
94 bars, about 2:05 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 13, 21, 37, 52, 53, 61 and 4 more.