66 bars of 4/4 at a walking 83 BPM, 3:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-21, 36-39 and 58-65 -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 13, 22, 23, 31, 45, 53 and 1 more.
66 bars across 9 sections: 36 keep time, 7 are fills and 15 are stops. The longest unbroken stretch of time is bars 24-30.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
66 bars, about 3:11 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 13, 22, 23, 31, 45, 53 and 1 more.