111 bars of 4/4 at a walking 104 BPM, 4:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-9, 46-53 and 66-67, and 4 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 21 times: bars 1, 2, 10, 18, 22, 30 and 15 more.
3 more fills are written out on the fills page.
111 bars across 10 sections: 78 keep time and 21 are fills. The longest unbroken stretch of time is bars 87-98.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
111 bars, about 4:14 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 1, 2, 10, 18, 22, 30 and 15 more.