339 bars of 3/4 -- not four -- at 120 BPM, 8:29 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 14 and 16, and 17 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 83 times: bars 8, 28, 34, 38, 40, 41 and 77 more.
15 more fills are written out on the fills page.
339 bars across 35 sections: 164 keep time, 83 are fills, 41 are stops and 4 are silent. The longest unbroken stretch of time is bars 18-27.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 6 out of 100; the rest of the number is everything around it.
339 bars, about 8:29 at the written tempo. The course breaks it into 116 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 83 times: bars 8, 28, 34, 38, 40, 41 and 77 more.