145 bars of 4/4 at a walking 90 BPM, 6:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 49-63 and 129-143 -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 16, 64, 80, 128 and 144.
145 bars across 17 sections: 95 keep time, 5 are fills, 10 are stops and 22 are silent. The longest unbroken stretch of time is bars 129-143.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 77 out of 100; the rest of the number is everything around it.
145 bars, about 6:27 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 16, 64, 80, 128 and 144.