101 bars of 4/4 at a walking 87 BPM, 4:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 28 and 30, and 5 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 9, 16, 17, 25, 43, 44 and 20 more.
6 more fills are written out on the fills page.
101 bars across 9 sections: 61 keep time, 26 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 26-42.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
101 bars, about 4:39 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 9, 16, 17, 25, 43, 44 and 20 more.