86 bars, 4:36, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 34-35, 65-71 and 73-79, and 1 more place -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 17, 25, 32, 49, 50, 52 and 2 more.
3 more fills are written out on the fills page.
86 bars across 11 sections: 64 keep time, 8 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 2-9.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 32 out of 100; the rest of the number is everything around it.
86 bars, about 4:36 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 17, 25, 32, 49, 50, 52 and 2 more.