90 bars of 4/4 at a walking 82 BPM, 4:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 19-28 and 30-32, and 6 more places -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 16 times: bars 5, 9, 33, 37, 39, 41 and 10 more.
1 more fill is written out on the fills page.
90 bars across 8 sections: 61 keep time, 16 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 19-32.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
90 bars, about 4:23 at the written tempo. The course breaks it into 19 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 5, 9, 33, 37, 39, 41 and 10 more.