111 bars of 4/4 at a walking 95 BPM, 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-34, 37-39 and 41-42, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 3, 4, 12, 19, 28, 36 and 14 more.
10 more fills are written out on the fills page.
111 bars across 17 sections: 71 keep time, 21 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 93-100.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
111 bars, about 4:39 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 3, 4, 12, 19, 28, 36 and 14 more.