113 bars of 4/4 at a walking 98 BPM, 4:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-34, 37-39 and 41-42, and 3 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 24 times: bars 3, 4, 12, 16, 19, 20 and 18 more.
11 more fills are written out on the fills page.
113 bars across 17 sections: 68 keep time, 24 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 37-43.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
113 bars, about 4:31 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 3, 4, 12, 16, 19, 20 and 18 more.