132 bars of 3/4 -- not four -- at 130 BPM, 3:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-64, 68-75 and 108-115 -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 56 times: bars 10, 12, 14, 16, 18, 19 and 50 more.
1 more fill is written out on the fills page.
132 bars across 13 sections: 43 keep time, 56 are fills, 1 is a stop and 26 are silent. The longest unbroken stretch of time is bars 50-64.
130 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
132 bars, about 3:24 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 56 times: bars 10, 12, 14, 16, 18, 19 and 50 more.