134 bars of 4/4 at a walking 107 BPM, 5:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7-8, and 12 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 32 times: bars 1, 17, 25, 29, 37, 41 and 26 more.
11 more fills are written out on the fills page.
134 bars across 6 sections: 95 keep time, 32 are fills and 1 is a stop. The longest unbroken stretch of time is bars 8-16.
107 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
134 bars, about 5:01 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 1, 17, 25, 29, 37, 41 and 26 more.