59 bars, 3:28, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 17-24 and 45-52 -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 21 times: bars 11, 12, 13, 14, 15, 16 and 15 more.
59 bars across 8 sections: 27 keep time, 21 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 18-24.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
59 bars, about 3:28 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 21 times: bars 11, 12, 13, 14, 15, 16 and 15 more.