108 bars of 4/4 at 124 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-6, 8-9 and 33-34, and 10 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 19, 23, 27, 31, 47, 51 and 10 more.
4 more fills are written out on the fills page.
108 bars across 14 sections: 67 keep time, 16 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 12-18.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
108 bars, about 3:29 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 19, 23, 27, 31, 47, 51 and 10 more.