120 bars at 180 BPM -- fast, and 2:38 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 35-36, 84-86 and 92-95, and 2 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 1, 5, 9, 26, 27, 79 and 9 more.
6 more fills are written out on the fills page.
120 bars across 12 sections: 76 keep time, 15 are fills and 12 are stops. The longest unbroken stretch of time is bars 85-95.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
120 bars, about 2:38 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 1, 5, 9, 26, 27, 79 and 9 more.