118 bars at 170 BPM -- fast, and 2:47 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 13 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 44 times: bars 4, 8, 10, 12, 14, 16 and 38 more.
15 more fills are written out on the fills page.
118 bars across 11 sections: 56 keep time, 45 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 51-57.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
118 bars, about 2:47 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 44 times: bars 4, 8, 10, 12, 14, 16 and 38 more.