172 bars of 4/4 at a walking 90 BPM, 7:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56-62 and 117-124 -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 43, 44, 45, 46, 47, 48 and 9 more.
4 more fills are written out on the fills page.
180 bars across 18 sections: 83 keep time, 15 are fills, 6 are stops and 67 are silent. The longest unbroken stretch of time is bars 15-35.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
172 bars, about 7:44 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 43, 44, 45, 46, 47, 48 and 9 more.