138 bars of 3/4 -- not four -- at 72 BPM, 5:05 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 10 and 12, and 16 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 38 times: bars 13, 15, 17, 20, 21, 23 and 32 more.
10 more fills are written out on the fills page.
138 bars across 11 sections: 71 keep time, 38 are fills, 11 are stops and 6 are silent. The longest unbroken stretch of time is bars 39-45.
72 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
138 bars, about 5:05 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 13, 15, 17, 20, 21, 23 and 32 more.